Our designers

Yonoh Studio

Yonoh Studio

Moved by sensations and intuition, Yonoh stays away from trends in order to stay true to its own voice: the one that keeps creative independence and honesty as its core values.
Krystian Kowalski

Krystian Kowalski

As a hands-on designer my work process combines a full-scale models and prototypes with technology research and advance cad modelling. This methodical approach is focused on revealing the essence of each design. I believe experiencing the product is the only way to develop valuable furniture. Fundamentally I look at design as an exercise in creating value.
Form Us With Love

Form Us With Love

Good design is a hard question—it’s in the eye of the beholder. But if you manage to put a material on the right spot, in both an interior or a product, you come quite for.
Alejandro Valdés

Alejandro Valdés

My inspiration comes from design itself, from design culture and its history. It is there where I educate my sensitivity and at the same time, I find the themes to develop in my designs.
Christopher Nobles

Christopher Nobles

My take on projects was born out of a love for technical detailing and traditional manufacturing processes, resulting in an elegant aesthetic inspired by engineering craft.
Dirk Winkel

Dirk Winkel

I love exploring new materials and production processes, and I am driven by belief in the beauty of a deeply geometrical formal purism. Careful consideration of every single radius, dimension and proportion of a design is the key to a sustainable formal expression.
Gudmundur Ludvik

Gudmundur Ludvik

I am intrigued by the balance between simplicity and complexity. Exploring challenges through multiple perspectives helps me in understanding and reducing them to the core and transforming into simple and intuitive solutions.
Beza projekt

Beza projekt

We cross the border between the world of utility items and the world of conceptual artefacts. Each project is based on the individual approach to the client’s needs and tells a different story.
Dymitr Malcew

Dymitr Malcew

I’m inspired by things that happen on the periphery and at the intersection of disciplines, cultures and experiences. Regardless of the scale, form or style of the product, designing “experiences” is always the priority. Frame, material and detail is a form of communication with the user.
Andreas Krob & Joachim Brüske

Andreas Krob & Joachim Brüske

A good office chair should be intuitive in how it’s used.
S.I. Design

S.I. Design

Our work is a mix of both aesthetics and a technical approach. Thoroughly collecting all the necessary data before designing, we can clearly define the objectives we want to achieve. Our design process focuses on cooperation, research, and optimization.
Javier Cuñado, Nacar Design

Javier Cuñado, Nacar Design

In a smart working environment, each team member should be supported to improve their efficiency.
Skrivo Studio

Skrivo Studio

At the core of every Skrivo project lies a commitment to innovation. By believing in starting with the fundamentals, whether it's materials, function, or technology, to craft designs that are both stimulating and timeless.
Andreas Krob

Andreas Krob

A good office chair should be intuitive in how it’s used.
Arthur Gentil

Arthur Gentil

I am committed to developing user-oriented products. In all my designs I try to consider social, environmental and economic factors.

Simone Bernocchi

Simone Bernocchi

People spend more and more time at work. The colours of the office should motivate and affect employees positively.
Maria Jeglińska-Adamczewska

Maria Jeglińska-Adamczewska

I try to question the status quo of a given category or the material, to freshen how we think of it. This is what differentiates a designer from a craftsperson.
In today’s world, research can trigger and generate new forms of answers and offers.