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Fire-retardancy
Abrasion resistance
Pet-friendly fabric
Natural
Synthetic
Antibacterial and washable fabric
Premium fabric
Weave
No weave
Fire resistance
Antibacterial
Ecological
Waterproof
Acoustic
Finish description
Runner
Skład:100% poliester
Gramatura:364/m2*510g/lm
Trudnozapalność:
BS EN 1021 - 1:2006 (papieros), BS EN 1021 - 2:2006 California Bulletin CAL 117-E-Class 1
In Italian, Ramo means “branch” – and the Ramo coat stand designed by Maria Jeglińska-Adamczewska resembles a tree. Its lightweight steel construction with knobs made of solid wood will provide a steady support for coats and other hanging items. The classic three-armed form with distinctive details will be a stylish addition to interiors arranged in various styles. The monochromatic Ramo, designed in a selected range of neutral colours, will compliment the arrangement and catch the attention of everyone in the room. It is made using steel and ash wood, which are both environmentally friendly and recyclable.
Construction
powder-coated metal
Knobs
ash wood
Construction
powder coated-metal
Knobs
ash wood
Technical data
Technical specification
Knob - wood;
Frame - powder coated metal
Made in Poland, EU
Product features
Light steel construction;
Details made of solid ash wood;
Selected colour range;
Recyclable materials;
Designed for offices, public spaces and homes
Ecology
Material composition including packaging
MFC: 88%
Steel: 4%
Plastic: 2%
Cardboard: 6%
*average values for a representative of the group.
Recycled content
2%
Recyclability
Recycling: 64%
Downcycling: 36%
*average values for a representative of the group.
Packaging
Steel profiles are powder-coated to reduce the emission of Volatile Organic Compounds.
Solid ash wood used in the production of Ramo’s knobs is acquired from FSC-certified producers.
Short list of used raw materials makes Ramo more recyclable.
Maria Jeglińska-Adamczewska was born in in Fointainebleau, France, in 1983. In 2007, she graduated from the prestigious ECAL’s industrial design course in Lausanne, and was awarded a scholarship from the IKEA foundation. She has worked in recognised design studios, e.g. for Konstantin Grcic, Alexander Taylor and Galerie kreo. In 2012, she established her own studio – Office for...
Maria Jeglińska-Adamczewska was born in in Fointainebleau, France, in 1983. In 2007, she graduated from the prestigious ECAL’s industrial design course in Lausanne, and was awarded a scholarship from the IKEA foundation. She has worked in recognised design studios, e.g. for Konstantin Grcic, Alexander Taylor and Galerie kreo.
In 2012, she established her own studio – Office for Design & Research. The studio focuses on industrial design (furniture, lighting, functional objects), research projects and exhibitions. Her clients include amongst other: Ligne Roset, Kvadrat, Plato, Trame, Vitra, Hermès, St. Etienne Design Biennale, London Design Festival, Instytut Adama Mickiewicza, Muzeum Sztuki Nowoczesnej in Warsaw.
Her work has participated in numerous Polish and international exhibitions, e.g.: Design Museum, Centre Pompidou Metz, Villa Noailles, The Aram gallery and Triennale di Milano. In 2012, Maria curated the “Punkty Widzenia / Punkty Siedzenia” (“Ways of Seeing/Sitting”) exhibition at the Łódź Design Festival. In 2016, she was the co-curator and designer of the Polish Pavilion at the London Design Biennale. Between 2018 and 2020, she worked as the creative director of the ARENA DESIGN fair in Poznań, Poland.
Selected exhibitions:
“Connected”, Design Museum, Londyn, 2020
“Social Seating”, Fiskars Village Biennale, 2019
“Between Area and Space”, 28th International Biennal of Graphic Design Brno, 2018
“Typecasting” by Vitra, Milano Design Week, 2018
“Is Coral a colour?”, Superstudio, Prague, 2018
“Arrêt sur image”, Design Parade, Villa Noailles, 2017
“Cadavre Exquis: an Anatomy of Utopia”, London Design Biennale, 2016
“Future Stars?”, Aram Gallery, London , 2014
“La Ville Mobile”, St Etienne Design Biennale, 2010
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